In the article I analyze the argumentative-interpretative strategy used by Blaise Pascal in Les Pensées as a kind of critical method. He uses this method while presenting various issues, in particular when discussing justice, but also when he problematizes the power of reason itself. This method involves a constant reversal of reasons in the movement from ‘for’ to ‘against’, and in the search for the hidden reason of phenomena-appearances. In this article, I am interested in the paradoxes and ambiguities associated with the use of this method, which I diagnose on several levels, primarily as the effect of employing the ‘unity of opposites’, but also as a manifestation of inconsistency in assessing the possibilities of reason, which in social matters led Pascal to extreme pessimism and cynicism.
The aim of this article is to analyze the category of l’esprit de finesse, which in Les Pensées is contrasted with the category of l’esprit de géométrie. The two types of mind distinguished by Pascal are: the intuitive mind, associated with concepts such as finnesse, délicatesse, justesse or sentiment, and the mathematical mind, following the Cartesian method of arguing more geometrico. In the course of this analysis I focus on translation and different ways of distinguishing between both Pascalian types of mind in the Polish, English and German editions. This analysis leads to the conclusion that the description accompanying the presentation of the l’esprit de finesse emphasizes the aesthetic character of the intuitive mind. To support this thesis, I refer to some representatives of the early aesthetics of the 17th and 18th centuries: Nicolas Boileau- -Despréaux, Dominique Bouhours, Lord Shaftesbury, Alexander Baumgarten. At the end of the article the aesthetic nature of l’esprit de finesse is confirmed by referring to the concept of Wolfgang Welsch’s ‘aesthetic thinking’.