@ARTICLE{Murawska_Monika_Art_2022,
 author={Murawska, Monika},
 volume={No XLVII},
 journal={Rocznik Historii Sztuki},
 pages={21-37},
 howpublished={online},
 year={2022},
 publisher={Komitet Nauk o Sztuce PAN},
 abstract={The purpose of the article is to ask the question of the meaning of art in Emmanuel Levinas’ philosophy, taking into account not only the well-known text Reality and Its Shadow, but also texts from the later period of his work. The first part of the article is an interpretation of Reality and Its Shadow in the context of contemporary phenomenological concepts. The second, on the other hand, will be an attempt to show the change in Levinas’ approach to the visual arts based on his statements about Jean-Michel Atlan’s paintings and Sascha Sosno’s sculptures. The third, concluding section, will in turn attempt to describe works of contemporary art that would perhaps elude Levinas’ strict evaluation of art, highlighting the tension between the dimension of ontology and ethics, without falling into banal moralizing and allowing harm to be revealed without, however, leading the viewer to ethical paralysis.},
 type={Artykuły / Articles},
 title={Art and its Shadow. Art in Emmanuel Levinas’ Philosophy in the Contex of the Aesthetic Turn in French Phenomenology},
 URL={http://www.czasopisma.pan.pl/Content/125291/PDF-MASTER/2022-RHS-03.pdf},
 doi={10.24425/rhs.2022.142496},
 keywords={art, Emmanuel Levinas, French phenomenology, obliteration, aesthetics},
}