@ARTICLE{Zeldowicz_Gennadij_On_2021,
 author={Zeldowicz, Gennadij},
 volume={vol. LXX},
 number={No 1},
 pages={119-137},
 journal={Slavia Orientalis},
 howpublished={online},
 year={2021},
 publisher={Komitet Słowianoznawstwa PAN},
 abstract={The paper is concerned with one of the internal forces driving the progress of lyrical discourse. Its nature consists in that initially, some linguistic and/or cognitive deviation appears in the poem, and next the author undertakes a series of attempts at its adjustment or mitigation. More often than not these attempts are increasingly successful, but at some later point they, for various reasons, stop to be rewarding. This tends to happen either at the end of the text, where the most important truth is prototypically discovered, or immediately before the final fragment. In both cases, the completion of the relevant ‘adjustment’ theme plays a significant compositional role. Discussed at some length are the implications of our analysis for the theory of discourse relations. The bulk of the instances under examination are drawn from O. Mandelstam’s verse.},
 type={Artykuły / Articles},
 title={On Driving Forces behind Lyrical Discourse},
 URL={http://www.czasopisma.pan.pl/Content/119938/PDF/2021-01-SOR-07-Zeldowicz.pdf},
 doi={10.24425/slo.2021.137004},
 keywords={lyrical poetry, driving forces, deviation, composition, parallelism, contrast, O. Mandelstam, M. Tsvetaeva},
}