@ARTICLE{Bibik_Barbara_Clytemnestra,
 author={Bibik, Barbara},
 volume={Vol. 77 (2022)},
 pages={33-50},
 journal={Meander},
 howpublished={online},
 publisher={Committee on Ancient Culture of the Polish Academy of Sciences, Institute of Classical Studies, Faculty of Polish Studies, UW.},
 abstract={This paper analyses four Polish renditions of Aeschylus’s Agamemnon (first part of the trilogy Oresteia) – by Zygmunt Węclewski, Jan Kasprowicz, Stefan Srebrny, and Artur Sandauer – and attempts to trace in particular the manner in which the translators approach and portray Clytemnestra, an ambiguous and complicated figure, who exceeds the social frames within which she lives. A comparison of the four translations with the Greek text uncovers the different strategies chosen by the translators which, in turn, point to their reading of the play.},
 title={Clytemnestra Rejoicing},
 type={Artykuł},
 URL={http://www.czasopisma.pan.pl/Content/125513/PDF-MASTER/2022-MNDR-03.pdf},
 doi={10.24425/meander.2022.142248},
 keywords={Aeschylus, Oresteia, Agamemnon, Greek tragedy, translation, Polish translations},
}