This paper is a contribution to research on the reflection on art in literary criticism and cultural journalism of the interwar period. It discusses the interest in graphic arts of the Silesian born right-wing reviewer and literary critic, Alfred Jesionowski (1902–1945?), which resulted in his popularizing discussions on the works of such artistic personalities of the interwar period as Paweł Steller (wood engraver and watercolourist), Stanisław Brzęczkowski (wood engraver) and Jan Kuglin (typographer).