In the paper, I present the views of Alina Motycka, a Polish philosopher of science who died in 2018. I place Motycka’s scholar activity in a historical context, relative to two traditions of the philosophy of science—its historical version signed by Thomas Kuhn, and the tradition of logical reconstruction of science which in the second half of the twentieth century was revived by the thought of Karl Popper. I believe that this historical situation forms the context in which Motycka shaped her view of the philosophy of science and, because of such a particular context, she has participated in it with her own problematizations. So, what constitutes the originality of her way? Two issues come to the fore here. The first is the reconstruction of the fundamental problem of the philosophy of science, which, according to Motycka, is the question of confronting two scientific theories, of which the earlier (T1) is replaced by a later and competitive one (T2). Motycka shows the inability of the epistemology of the second half of the 20th century to adequately capture this relationship. The reason for this is the lack of intellectual means to problematize the situation T1–T2. The second area of the author's interest is the issue of creativity in science. She was inspired by the theories of Carl G. Jung. In this context, it is of interest to use the philosophy of science of terms such as archetype and myth.
Celem artykułu jest przedstawienie oryginalnych poglądów Stanisława Lema dotyczących relacji między filozofią a nauką oraz nauką i filozofią. Wybrane uwagi Lema poprzedzone są przybliżeniem światopoglądu pisarza oraz nakreśleniem jego stosunku do nauki. Na uwagi Lema składają się wybrane opinie tego myśliciela dotyczące następującej problematyki: (1) zorientowania scjentycznego cywilizacji Zachodu, (2) filozofii jako propozycji opisu świa-ta, (3) problemu „matematyczności” świata, (4) specyficznej relacji filozofii (epistemologii) do technologii, oraz (5) Lemowskiej interpretacji twierdzeń Kurta Gödla.
This contribution to the critical discussion of Ryszard Nycz’s Culture as Verb draws on his use of the parts-of-speech model to submit another formula of conceptualizing culture, based on the adverb, and complementary to the already existing approaches. They can be divided into three classes: those that treat culture as adjective (i.e. all epiphenomenal interpretations which view culture as a set of attributes), those that treat it as noun (i.e. an object, a separate academic discipline), and those that focus on action and the processual nature of culture (hence culture as verb), and even – in association with pragmatist and performative theories of language and the more recent ‘Activist Turn’ in the social sciences – have come to regard culture as culture-in-the-making, constituted and sustained by action (activities, performances). Most important for the adverbial approach are the modalities of culture, manifested in a variety of life styles. The study of culture as adverb (‘how’) can be pursued independently of the trench wars of cultural determinists and functionalists. Responding directly to Culture as Verb, qualifi ed as, chiefl y, an epistemological study, the article calls for a closer examination of the ontological implications of Nycz’s project of reinventing the humanities.