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Abstract

The concept of body image can be considered on many levels, but constant is the fact that it is a mental image: of the size, shape, and form of one’s own body, influencing one’s overall self-image. Previous multifaceted research shows that perceptions of body image can be influenced among other things by physical activity or personality. Therefore, the purpose of this study was to analyze the relationships between body image perception and personality, considering individuals who regularly practice physical activity (N= 104). The following research tools were used: IPIP- BFM-20, Body Esteem Scale and a questionnaire consisting of questions allowing for the respondents’ characterization. Analysis of the collected data revealed that almost half of the respondents are currently dissatisfied with their body image. It was also noted that those who were satisfied with their body image scored statistically significantly higher on two of the five personality traits measured: Extraversion and Emotional Stability. The results obtained showing the relationship between personality and body image perception are consistent with previous studies in which the type of physical activity and its frequency were not examined.
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Authors and Affiliations

Wiktoria Kujawa
1
ORCID: ORCID
Krzysztof Zabiegliński
1
Dagmara Budnik-Przybylska
1
ORCID: ORCID

  1. University of Gdańsk, Gdańsk, Poland
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Abstract

This article is an attempt at a narrowly-focused application of a critical approach labelled ‘a history of the history of creativity’, formulated by Magdalena Popiel in her study The World of the Artist: Modernist Aesthetics of Creativity (2017). The article highlights the domain of autopoietic narratives – stories told by artists about their own creative performance, which involves projecting one’s own somatic identity and positioning one-self in a given socio-cultural context (community) – and examines the discursive dimen-sions of the creative process in the metanarrations of Tadeusz Peiper and Józef Czecho-wicz, two major poets of the Polish interwar avant-garde. The resulting model of the creative process is then set into the context of contemporary philosophical, anthropo-logical and psychological theories of creativity.
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Authors and Affiliations

Mateusz Antoniuk
1
ORCID: ORCID

  1. Mateusz Antoniuk – Wydział Polonistyki UJ

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