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Literary periodicals for the young and by the young (1944–1970). Part 1

Andrzej Buck
Rocznik Historii Prasy Polskiej | 2019 | t.22 | No 2 | 65-89 | DOI: 10.24425/rhpp.2019.129392
Keywords Literary press in Poland in 1944–1970 literary periodicals of the young writers generational change literary groups Walka Inaczej Pokolenie Nurt Po prostu Wyboje Zebra Orientacje
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Abstract

In 1939–1989 it was common for an aspiring writer to make an entry into the literary scene through a literary magazine. This article revisits the problem by distinguishing two categories of literary magazines, those produced for the young from those by the young. The latter were launched through the initiative of young writers seeking a platform of their own, i.e. the impulse for the creation of such periodicals came from the literary community itself. The article also draws on Professor Kazimierz Wyka’s periodization of literature on the basis of a pair of criteria, the historical and the generational (literary groups and generations). They are an important analytical tool in the mapping of generational change in the literary history of Poland in 1945–1989.

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Authors and Affiliations

Andrzej Buck
ORCID: ORCID

Literary periodicals for the young and by the young (1944–1970). Part 2

Andrzej Buck
Rocznik Historii Prasy Polskiej | 2019 | t.22 | No 3 | 41-73 | DOI: 10.24425/rhpp.2019.130230
Keywords Literary press in Poland in 1945–1989 literary periodicals of the young writers generational change literary groups Walka Inaczej Pokolenie Nurt Po prostu Wyboje Zebra Orientacje Kuźnica Odrodzenie Nowa Kultura Współczesność Życie Literackie
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Abstract

Literary periodicals promoting young writers played a major role in the formation of a distinct generational consciousness during the occupation and in the post-war period. They included Sztuka i Naród [Art and the Nation] (1942–1944), Walka [Combat] and Inaczej [Contrarily] (1945), Pokolenie [ The Generation] (1946–1947), Nurt [The Current] (1947), Po prostu [ Plain and Simple] (1949–1955), Wyboje [ Bumps] (1956–1957), Zebra (1957–1958), Orientacja (1965–1971) and Nowy Wyraz [New Expression] (1972–1981). The young writers’ literary magazines were the product of the shifting political environment and generational change.

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Authors and Affiliations

Andrzej Buck
ORCID: ORCID

A healing landscape – the Steinhof gardens

Di Maria Auböck
Teka Komisji Urbanistyki i Architektury Oddziału Polskiej Akademii Nauk w Krakowie | 2018 | 271–279
Keywords healing gardens architectural spirituality sensible psychotherapy landscape architecture of 1900 landscape architecture of art nouveau
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Abstract

This paper presents the Steinhof Gardens and delves into their planning history. In accordance with an urban design concept by Otto Wagner (1841–1918), the construction phase was planned and carried out by Franz Berger (1853–1938) and his team, and in 1907 the facility was opened. The garden architect Ferdinand Müller (1858–1942) played a role in the implementation of the sanatorium’s gardens. Several alterations have been made since its acquisition by the City of Vienna; a care manual is still lacking.
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Authors and Affiliations

Di Maria Auböck

Minimalism — in defense of the essence of architecture

Anna Mielnik Tomasz Kozłowski
Teka Komisji Urbanistyki i Architektury Oddziału Polskiej Akademii Nauk w Krakowie | 2021 | vol. XLIX | 269-281 | DOI: 10.24425/tkuia.2021.138715
Keywords minimalist trend in architecture deaesthetization beauty loss of autonomy of architecture search for essence of architecture
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Abstract

Today’s world is struggling with problems of population growth, migration, communication, infrastructure, climate change, economic and pandemic crises — which create a strong uncertainty about the future. Due to these threats, concern about the aesthetic dimension of architecture is pushed to the background. Few manifestos, or rather programs, frequently concern themselves with social, ecological or economic aspects, apart from the aesthetic ones. And yet this intangible, immeasurable dimension is an inherent part within the essence of architecture as art. The following paper is an attempt to analyze the minimalist trend in the context of contemporary threats: the de-aestheticization of architecture and limiting its autonomy. The aim of the article is to show that architects working in the minimalist trend, by returning to the basics of design, searching for the essence of architecture, strive to maintain the independence of this creative field, and by searching for the value of beauty, they strive to restore architecture to its aesthetic dimension.
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Bibliography

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Authors and Affiliations

Anna Mielnik
1
ORCID: ORCID
Tomasz Kozłowski
1
ORCID: ORCID
  1. Cracow University of Technology, Faculty of Architecture, Chair of Architectural Design

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