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Abstract

The article discusses the question of the Armenian origin of the Lviv chronicler Jan Tomasz Józefowicz (1662‑1728). The origin of the myth as to the Armenian ancestry of the Lviv chronicler Jan Tomasz Józefowicz dates back to the mid‑19th century. This was concocted by Aleksander Batowski and especially by Sadok Barącz. The latter presented a false Armenian genealogy not only for Józefowicz but also for the Lviv historian Bartłomej Zimorowicz, the poet Szymon Szymonowicz, and other historical figures who had no connection to Armenian families whatsoever. The myth about Józefowicz’s Armenian roots was to persist particularly strongly and even survived until the beginning of the 21st century, appearing in numerous publications. However, these imaginary Armenian origins did not align with his own oral accounts, and the information about Armenian history found in his chronicles. Recent publications and the appearance of municipal legal registers along with the testaments of Lviv citizens into scholarly circulation allow us to confidently state that Józefowicz had Polish origins with elements of German and Italian heritage.
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Bibliography

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Authors and Affiliations

Myron Kapral
1

  1. Львів, Інститут української археографії та джерелознавства ім. М.С. Грушевського
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Abstract

In recent years, a number of Iraqi intellectuals have participated in a discourse on pluralism in Iraq that includes a call to address the traumatic collective experiences of the country’s ethno-religious minorities. Such a confrontation with the “wounded memory” of these minority groups – along with a rewriting of the modern history of Iraq to incorporate their stories – would be an important step in creating a new collective memory, one of cultural pluralism, that could lead to a true coexistence among all Iraqis. Since it is very difficult to carry out this process due to deep sectarian divisions within Iraqi society, literature provides an alternative cultural field for the deconstruction and reformulation of existing “master narratives”. The purpose of the article is to examine literary representations of the “wounded memory” of minorities in Iraq. The examples used here are related to the 1915–1916 Armenian genocide in the former Ottoman Empire and the 1933 massacre of Assyrians in the northern Iraqi village of Simele. They can be found in the following novels written in Arabic by Iraqi authors of Christian origin: At-Tuyūr al-‘amyā’ (The Blind Birds, 2016) by Laylā Qasrānī, Sawāqī al-qulūb (The Streams of Hearts, 2005) by In‘ām Kaǧaǧī, ‘Irāqī fī Bārīs: sīra dātiyya riwā’iyya (An Iraqi in Paris: An Autobiographical Novel, 2005) by Samū‘īl Šam‘ūn, and Fī intizār Faraǧ Allāh al-Qahhār (Waiting for Farag Allah al-Qahhar, 2006) by Sa‘dī al-Mālih. This article is divided into three sections. An introduction is devoted to the aforementioned discourse. The second and solely descriptive section consists of three subsections focusing on literary characters who experience and/ or witness the tragic events and/or tell others about them. The third section contains concluding remarks and refers to several concepts formulated by researchers in cultural memory studies.
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Authors and Affiliations

Adrianna Maśko
1
ORCID: ORCID

  1. Adam Mickiewicz University, Poznań, Poland

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