This article presents the concept of fate in the stories of the poet and literary sketches of twentieth-century Russian writer Jurij Dombrowski. The writer creates psychological portraits of Romantic poets, including George Byron, Alexander Gribojedov, Wilhelm Küchelbecker, focusing on selected episodes from their lives. In the article attempt is made to prove that the fate of the nineteenth-century artists serve as an excuse to explain the problems of contemporary author. Characteristics of historical fi gures are made through the prism of Dombrowski’s biography. The combination of biography and autobiography allows Dombrowski to present the subjective concept of the poet: a man condemned to loneliness and misunderstanding, confl icted with the epoch, trying to overcome the tragic dependence on historical conditions through art and creativity.
This paper discusses contemporary transformations in the way work is organised and the consequences for the stability of careers and biographies. It debates the widely held belief that organised and predictable life-course paths (including professional careers) have ceased to exist and that work itself has lost its stabilising quality. Biographical data collected among Polish employees of transnational corporations within the project “Poles in the World of Late Capitalism” proves that even though transnational corporations are widely criticised for propelling neoliberal tendencies in the global economy, they provide a means of protecting their employees against today’s uncertainty and occupational risk. Three empirical cases are presented to show how work in a transnational corporation may contribute to achieving and maintaining stability for persons who have had troublesome experiences of working in other sectors of the labour market.
In studying contemporary transformations of social relations and family life, researchers and social theorists have been focused on the increased diversity of forms of bonding, coupling and other interpersonal connections. When single people are discussed, either it is to emphasize the disintegration of their ties and the crisis of the family, or their single life is considered as an identity choice. The aim of this text is to look at the experience of singleness not by choice among contemporary corporate employees in Poland and to try to set this experience against the background of a broader social reality, especially the reality of professional work. The text also examines the relationship between relational forms (including being single) and the social system in late capitalism. The experiences of people who are not single by choice are discussed and contrasting variants for people whose single situation is associated with low interpersonal skills and for those with an interactional proficiency are distinguished. In the conclusion, the authors are looking for patterns of connection between being unwillingly single and operating on the late capitalist labour market.
This article deals with migrants’ experiences of precarious working conditions in the cleaning and con-struction industries in the Danish labour market as seen from their perspective. The experiences are retained through biographical narrative interviews with migrant workers from Central and Eastern Europe and are used to gain an understanding of the concrete strategies they apply when coping with their short-term contracts, demanding working hours, risk of unemployment and other insecurities. Mi-grants’ experiences of precarity and insecurity in their work is confirmed, to some degree, in numerous research studies. However, the resistance and strategies expressed by the migrant workers in their nar-ratives show that they have also developed specific ways to cope with this precarity. The article con-tributes to a new understanding of migrants’ responses to precarity in which they engage their social and cultural resources to cope with the labour market conditions they face in Denmark.
This article deals with the rise in the Polish literature of 1970s of a new type of biographical novel, associated with the fi rst post-war generation of writers like Bohdan Zadura, Julian Kornhauser, Adam Zagajewski, Henryk Lothamer, Stanisław Piskor and Donat Kirsch. Their work is subsumed here under the label ‘new fi ction’ primarily because of its literary context, i.e. the late-modern fears and uncertainties culminating in the assumption that literature reached the state of exhaustion. The article argues that the ‘new fi ction’ acquired its distinctive character from a preoccupation with the biographical narrative and a sense of generational identity. The writers who defi ned themselves in these generational terms saw their prospect of following their aspirations and building up authentic lives weighed down by the constricting realities, and, as the article claims, resigned themselves – at best not entirely – to this sad conclusion.