A developed method and measurement setup for measurement of noise generated in a supercapacitor is presented. The requirements for noise data recording are considered and correlated with working modes of supercapacitors. An example of results of low-frequency noise measurements in commercially available supercapacitors are presented. The ability of flicker noise measurements suggests that they can be used to assess quality of tested supercapacitors.

This article deals with literary pathography, i.e. texts which purport to project rage or a mental disorder, and use narrative strategies adopted specifically for that purpose. The analysis is focused on two novels by Aleksandra Zielińska, Przypadek Alicji (Alicja’s Case) and Bura i szał (Bura and Rage) treated as literary representations of the protagonists' mental condition. The literary character of these 'records' is revealed by multiple intertextual tropes and poetic devices that deconstruct the cultural stereotype of female rage. Consequently, Aleksandra Zielińska's novels should be seen as projections of a fractured female subject (un sujet divisé) fixed on her somatic vulnerability, driven by an urge to cry out her affliction, trauma and rage, unease about woman-to-woman relations, and the pressure of erratic affective impulses.

This article deals with recent Polish herstory narrations, i.e. works of fiction that, while relying on distinctly literary techniques and devices, foreground the feminine experience of history, and moreover, may be associated with the so-called Herstory Turn in Polish humanities and cultural studies. This category of fictions includes also novels in which the herstory narration belongs to a female subject created by a male author, notably Jacek Dehnel’s Abbess Macryna (Matka Makryna), Ignacy Karpowicz’s Little Sonya (Sońka) and Jarosław Kamiński’s Just Lola (Tylko Lola). These three novels are analyzed with the aim of showing how their narrative strategy foregrounds the women narrators/main characters (acting as history’s true subjects), identifying the marks of authorial imitation of the feminine discourse, and, finally, asking the question about man’s status in an ostensibly feminine text. It seems that one way of answering it would be to point to the male author’s validating the feminine experience of history and ensuring that it can be heard.

In the paper a new method, called the Noise Scattering Pattern (NSP) method, for RTS noise identification in a noise signal is presented. Examples of patterns of the NSP method are included.