Abstract
Harriet said…, a lesser known, 1972 novel by an acclaimed writer Beryl Bainbridge (1932–2010), is
a work about friendship. However, only apparently – as the events in the story unfold, the reader slowly
realizes how toxic and corrupting the bond between the eponymous Harriet and her nameless friend (the
narrator) is. Bainbridge, inspired by real-life tragedy, presents a haunting vision of friendship marred
by violence, both emotional and physical. Two adolescent girls devise a specific life ideology and as
they explore the limits of their self-understanding, they transgress social norms, which ultimately leads
them to a completely gratuitous crime. Hence, an important questions arises – is it still a friendship or,
rather, a form of mutual exploitation? What makes their relationship Gothic? The aim of my analysis
will be to respond to these queries.
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