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Abstract

This text is an attempt to analyse the ways of existence of heroes “living differently” – ghosts, phantoms, those invisible in the works of Elena Dolgopyat. In her works, the line between life and death becomes blurred: a hero who rose from the grave may turn out to be more alive than a man who did not die but exists in a sense of nonsense. He may also not notice his own death. The impure force functions in the world and is presented on a par with living characters, which is a characteristic feature of magical realism. The writer presents the non‑living, drawing on Slavic folklore tradition, as I try to show. I also juxtapose Dolgopyat’s stories with Alexander Etkind’s research on memory and trauma in Russian culture, considering them to be their exemplification.
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Authors and Affiliations

Urszula Trojanowska
1
ORCID: ORCID

  1. Uniwersytet Jagielloński w Krakowie
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Abstract

In Dolgopyat’s works, the world appears as an inscrutable mystery in which the wonderful and supernatural is closely connected with the realistic and everyday. Probably the most important part of this universe is chronotope. In this article, I focus on the category of time in selected stories in which it comes to the foreground. „The heroes of the analyzed stories travel in time, stop time or look for an answer to the question of the originality of their experiences. After all, if one can go back in time, maybe the whole of life is a mere repetition of what has already happened?”. Transitions between various time levels open up the way to other worlds and variants of one’s own destiny. The magical properties of time show that the reality of the heroes is not limited to matter and does not fit into the rationalistic picture of the world. This confirms the affiliation of the works to magical realism.
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Authors and Affiliations

Urszula Trojanowska
1
ORCID: ORCID

  1. Uniwersytet Jagielloński w Krakowie

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