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The paper is concerned with the most fundamental compositional divide to be found in lyrical discourse, consisting in that the latter one is normally split into an empirical part, presenting the author’s concrete experience, and a focal part, where the author discovers some signifi cant truth or/and changes her attitude towards the world. It is claimed in the paper that, more generally, one of the specifi c linguistic properties of focal fragments is their higher and/or specially underscored informativity, and, in particular, one of the means recruited to emphasize it is inverted word order.
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