Paper discusses an issue of old-time gentry estates landscape formation based on po-lish agricultural textbooks. Theoretical proposals as well as real-life structures of gentry estates on polish lands in pre-parti-tion and post-partition times are analyzed. Article presents both rules of shaping mo-dest gardens of decorative and utilitarian functions alike in the vicinity of mansions, and other components of estate’s land-scape. Partial concurrence between theore-tical postulates and real land use is proven.
The article presents the problem of colonial and postcolonial discourse in relation to Eastern Galicia. It discusses the forms of cultural domination existing throughout history in the region and draws attention to their conscious “playing” by successive rulers of this territory, consequently leading to the formation of memory conflicts.
Short ancestry of the modern citizen of Gdańsk encourages reflection of factors constituting his distinctness. Rapid exchange of population after the World War II disrupted the cultural continuity of Gdańsk society. Despite immense damage, material substance of the city, life environment of both former and new citizens of Gdańsk, turned out to be potentially the only significant bonding element for their identity. With time, the initial national narration was replaced with a favourable overview of the past, which had been previously suppressed and has been escaping the desirable scheme of the Polish identity. Gdańsk inhabitants were accompanied by the city landscape throughout the entire period of changes in consciousness. The landscape, which was erected from ruins in its most prominent attributes, which was undergoing constant spatial changes in the following years, supported the continuity of the emerging common city identity.
Applying the commonly accepted definitions of identity to landscape as our field of research, in particular landscape in protected areas, we assume that identity is the deepest relationship with the landscape (surroundings) perceived by man, with its historical layers of content (the culture and tradition of a place) and form (the canon of a place). An evaluation of change in time should be the keynote of deliberations on place identity. Basing on the current status of research, a review of specialist literature and the author’s experience to date, the above definitions and terms may be referenced to talk about “former” and “new” place identity, especially if we acquiesce to what is termed “the culture of a place” that originates in love for it and willingness to participate in the act of creation that has been launched upon the site. Author tries to explain this fenomenom on example of revitalization, on scale of conntry or even the Europe – the cultural – strategic landscape od Zamość Fortress.
Cultural landscape indicators are quantitative and qualitative measures which related to the diverse features of the environment, including the material and non-material cultural heritage and the landscape physiognomy. They can be analysed in relation to architectural, spatial, social, visual, perceptual, and economic aspects. This article aims to identify such an extensive set of indicators in relation to seven villages located in the Łęczyńsko-Włodawskie Lakeland. The com-mon feature of the analysed areas is their strong association with the lake or river, which was emphasized by the use of specific indicators related to the characteristics of the waterside areas. As a result, for each locality 18 indicators were defined. The result showed that the highest quality of the cultural landscape possess Wola Uhruska, Lake Krasne and Bug river in Wola Uhruska, the lowest feature Grabniak and river Wieprz in Kijany. Besides, it was showed that villages generally are of higher quality of cultural landscape than water areas connected to them.
The study of the relationship “the natural qualities of water – the naturally built environment – the psycho- emotional conditions of human beings” from the perspective of architectural and landscape organization is essential nowadays. By investigating modern monuments we identified the methods of landscaping and composition planning to create the appropriate environment to emotionally impact the persons dealing with grief, sadness and loss. The conducted analysis of modern memorials allowed us to explore the role of water as an important compositional element in the architectural and landscape organization of monument sites. We also identified different methods of modeling water and how they affect related emotional impressions in creating the urban social environment that would preserve the historical and cultural memory from generation to generation.