Martin Heidegger in The Origin of the Work of Art (Der Ursprung des Kunstwerkes) developed a whole new way of thinking about art, going beyond traditionally understood aesthetics or even philosophy of art. Some of Heidegger’s thoughts, however, appear to be understated and only signal a huge complexity of both experiencing works of art and the very issue of the origin of the work of art. The analysis of the terms ‘dread’ and ‘eyeblink’ from Time and Being presented in this article complement and develop Heidegger’s ideas included in his essay. Linking art to these two crucial phenomena of fundamental ontological analysis of Dasein casts light on the status of art and its existential significance. The author aims mainly at demonstrating the aletheic connection (based on unclosedness) between the experience of ‘originary source’ of a piece of art and ‘dread’, and also, in conclusion, he points to the ‘event of Being’ as the essential, non-metaphysical origin of art.
Martin Heidegger’s philosophy influenced both psychiatry and practical psychotherapy of mentally disturbed patients. The essay deals with Heidegger’s concepts of corporeality and disease, as they were expounded in the Zollikon seminars, and discusses the influence of Heidegger’s Dasein-analysis on Ludwig Binswanger and Medard Boss. The concepts of Dasein-analysis, proposed by the two psychiatrists, are also discussed. At the end of the paper the author shows the relevance of Heidegger’s thought for psychiatry and psychotherapy in general and for the so-called anthropological psychiatry in particular.