TY - JOUR N2 - The article is devoted to the world’s first popularizers of the nō theatre outside Japan, with particular emphasis on the pioneering achievements of two Americans, Ernest Francisco Fenollosa (1853–1908) and Ezra Pou nd (1885–1972), as well as the next generation representing various European countries. The latter included, among others, William Butler Yeats (1865–1939), Paul Claudel (1868–1955), Jacques Copeau (1879–1949), Charles Dullin (1885–1949), Jean-Louis Barrault (1910–1994), Gabriel Cousin (1918–2010), Edward Gordon Craig ( 1872–1966), Benjamin Britten (1913–1976), Bertolt Brecht (1898–1956) and Samuel Beckett (1906–1989), who, influenced by the fascination with the nō theatre, were the first to reform, in a more or less visible way, the traditional, realistic European theatre. L1 - http://www.czasopisma.pan.pl/Content/116214/PDF/12_ROrient%2072%20z.%202-19%20%C5%BBEROMSKA.pdf L2 - http://www.czasopisma.pan.pl/Content/116214 PY - 2019 IS - No 2 EP - 231 DO - 10.24425/ro.2019.132999 KW - Japanese nō theatre KW - western theatre KW - Ernest Fenollosa A1 - Żeromska, Estera PB - The Committee of Oriental Studies of the Polish Academy of Sciences and The Publishing House ELIPSA VL - vol. LXXII DA - 2020.06.18 T1 - On the Paths of nō – from Ernest Fenollosa to the First Reformers of the Western Theatre SP - 218 UR - http://www.czasopisma.pan.pl/dlibra/publication/edition/116214 T2 - Rocznik Orientalistyczny/Yearbook of Oriental Studies ER -